Atelier Van Lieshout is proud to be part of the opening exhibition of the new Centro Arte e Scienze Golinelli in Bologna, Italy. The exhibition, with the title Imprevedibili, essere pronti per il futuro senza sapere come sara (Unforeseable, being ready for the future without knowing what it will be like), shows a selection of works which all reflect on a possible future, including Atelier van Lieshout’s Cow of the Future and Food Reaktor.
For aditional information, please see the website of the Fondazione Golinelli
The overview catalogue by NAi publishers, offering a compendium of works by Atelier Van Lieshout from the period 1995 – 2007
New Tribal Labyrinth, a series of objects for imaginary tribes, offers a survey of works from the eponymous project by Atelier Van Lieshout, and was published by Frame to accompany an exhibition at GRIMM Gallery in 2011.
SlaveCity is a functional city state populated by workers whose every function is calculated to maximize profits and minimize waste. The project was subject of an overview catalogue which accompanied the eponymous exhibition at the Folkwang Museum Essen in 2008.
The Manual offers a survey of the early works of Joep van Lieshout, including manuals which offer an insight in the creative process behind the artworks.
Joep van Lieshout (1963, Ravenstein)
Joep van Lieshout, sculptor and visionary. At sixteen, Van Lieshout got himself accepted at the Rotterdam Academy of the Arts. After graduating, he rose to fame quickly, with functional sculptures that raise questions about the society at large and nature of art.
In 1995 van Lieshout founded his studio, Atelier Van Lieshout; ever since, he has been working under the name of the studio to undermine the myth of the artistic genius. Over the past two decades, Atelier Van Lieshout has produced a veritable cornucopia of works which straddle art, design and architecture: sculpture and installations, buildings and furniture, utopias and dystopias. What these works have in common are a number of recurring themes, motives and obsessions: systems, power, autarky, life, sex, death. The human individual in the face of a greater whole.
With this body of work, comprising both autonomous and commissioned artworks, he has gained a strong international reputation. The Atelier has exhibited at museums and galleries worldwide, with shows at MoMA, New York, the Hayward Gallery, London, and Centre Pompidou, Paris. Additionally, the Atelier has worked on numerous commissions for both public and private clients.
Gartenschau, König Galerie, Berlin, Germany
28 April 2017 – 30 September 2018
Re-Evolution. Maxxi, Roma, Italy
Opening 6 May 2017
The collection as time machine, Museum Boijmans van Beuningen, Rotterdam
Opening 24 June 2017
Façade, Middelburg, the Netherlands
14 July – extended until January 2018
Souvenirs: New New York Icons, Storefront for Art and Architecture, New York, USA
16 September – extended until 9 December 2017
Unpredictable, Fondazione Golinelli, Bologna, Italy
Mid October 2017 – 4 February 2018
Art Basel Miami Beach, Miami Beach, USA, represented by Galerie Krinzinger
7 – 10 December 2017
The Good, the Bad and the Ugly, Lensvelt, Breda, the Netherlands
Opening 9 December 2017
INRIA, Centre de recherche Saclay – Ile-de-France, Paris, France
15 December 2017
Inauguration public sculpture
Punk + Dans + Kunst, Schunck, Heerlen, the Netherlands
Opening 27 January 2018
Lust for Life Lamps, Carpenters Workshop Gallery, London, UK
1 February – 11 May 2018
Back to the Future, AVL-Mundo/Art Rotterdam, Rotterdam, the Netherlands
8 – 11 February 2018
De Grote Kunsthow, Rotterdamse Schouwburg, Rotterdam, the Netherlands
11 February 2018
Palacio de Bellas Artes, Mexico D.C., Mexico, in collaboration with Design Week Mexico and Galería OMR
5 – 6 March 2018
Ferrotopia, NDSM-Werf, Amsterdam,. The Netherlands
Atelier Van Lieshout, Carpenters Workshop Gallery, New York, USA
Kapellenbaan, Boxmeer/Kleve, the Netherlands/the Netherlands
Pioneer Works, New York, USA
Manifesto Series: Souvenirs for an Ideal City
Tuesday, November 28th, 2017
7 – 9 pm
With Ingrid van der Heijden, Joep van Lieshout, Arjen Oosterman, and Marga Weimans
As a contemporary form of commercialized nostalgia, souvenirs are the ultimate cliche in the representation of a city. Pocket-sized, acritical, and cheap, they populate tourist sites all over the world with a patina of innocence.
Souvenirs produce collective imaginaries made up of lines that follow the profiles of superlative sculptures, buildings, and stories. They have become the reference points that anchor a particular culture in time, representing (consciously or not) political, cultural, and social values.
Manifesto Series: Souvenirs for an Ideal City is organized as part of Storefront’s current exhibition, Souvenirs: New New York Icons. The event invites an international group of architects, designers, photographers, curators, and researchers to reflect upon the objects and imaginaries that define the global city. Participants will reimagine the icons of the city, and will present manifestos for new “souvenirs for an ideal city” in an effort to explore the concept of iconography and what icons mean for the city today.
About the Manifesto Series:
”To launch a manifesto you have to want: A, B & C, and fulminate against 1, 2 & 3. Work yourself up and sharpen your wings…” -Tristan Tzara, Dada Manifesto (1918)
The Manifesto Series is one of the Storefron’s ongoing event series formats. It seeks to encourage the formulation of positions and instigate spirited discussion and exchange in a dynamic and polemical context. The format therefore differs from that of other talks and presentations. Rather than putting forth a synthetic lecture or a series of projects, participants are invited to deliver a concise, point-by-point manifesto, with the hope that their positions will provide the grounds for discussion to test various hypotheses in real time.
Attendance and Seating:
All Storefront events are free and open to the public. Seating is on a first come, first served basis, with priority seating available for members of Storefront. If you are a member and would like to reserve a seat, contact firstname.lastname@example.org.
Atelier Van Lieshout, Carpenters Workshop Gallery and FIAC are proud to present Domestikator at the Centre Pompidou!
Please join us for the opening event on Thursday the 19th October:
6PM – 9PM: reception and cocktail
7 PM: artist talk by Joep van Lieshout
9PM – 11PM: Cocktail reception at Carpenters Workshop Gallery, 54 rue de la Verrerie 75004
The artwork will host an ongoing series of impromptu discussions, performances and screenings. This Salon will be inaugurated with a discussion between friends and artists Xavier Veilhan and Joep van Lieshout, on Thursday 19th October at 11 AM
After the Musée du Louvre decided the sculpture was too provocative for the Jardin de Tuilleries, the artwork will now be installed at the square next to the Fontaine Stravinsky.
Joep van Lieshout: “I’m very pleased that the Centre Pompidou was able to see beyond the sensationalized interpretations of this work, and offered to present it during FIAC. By exhibiting this work, the institution is not only allowing the public to properly experience its artistic and intrinsic values, but it also opens up a broader discussion about the current challenges and complexities in the relationships between artists, institutions, public, and press – and their subsequent impact on artistic freedom.
Domestikator was always intended to be a catalyst for thought, as it addresses the very serious issue of how humans employ technology – with ingenuity, creativity, sophistication and persistence – to change the world into a “better” place, often domesticating it in the process. In order to push the boundaries of human experience and longevity, we have developed new technologies, like artificial intelligence, genetic manipulation, robotics and industrial farming, which push our ethical borders, without any real understanding of the long term consequences.
I am pleased that visitors to the Pompidou will have the opportunity to experience this work and hope that it generates questions and dialogue around the complexity of the issue of domestication – particularly its inherent hypocrisy, and the disconcerting fact that we are still without any real policy or regulation to govern this increasingly intrepid behavior.
Now, in addition to these meanings, the installation has inadvertently become a catalyst for a conversation about the freedom of expression, which is an urgent topic today. I’d like to express my sincerest gratitude to FIAC, Centre Pompidou, Carpenter’s Workshop Gallery, the city of Paris and my studio team for making this installation possible, and to the public who took to various platforms to voice their opposition to its censorship. I’m truly grateful for everyone’s support.”
A public program will take place around the Domestikator, please check this site or facebook for regular updates!
For the duration of the exhibition Öğüt & Macuga Episode 2: The Show Is Over at Witte de With Center for Centemporary Art, ‘guest readers’ are invited to interpret, critique, analyze, translate, and disrupt the very choices made in the exhibition. Each invited ‘reader’ responds to the exhibition drawing from their own background and interests, opening up the documents and works on view to new interpretations and perspectives.
Throughout the Fall of 2017, public tours of Öğüt & Macuga Episode 2: The Show Is Over will be given by: Joep Van Lieshout (Artist), Dirk Snauwaert (Director WIELS, Brussels) and Charles Esche (director Van Abbemuseum, Eindhoven).
Joep van Lieshout’s exhibition reading takes place on
Friday 22 September
18.30 – 19.30
Witte de With Center for Contemporary Art
Witte de Withstraat 50
The exhibition readings are open to all and free of charge.
For more information please see the website of Witte de With Center for Contemporary Art
We’re happy to announce we will be showing a mini retrospective at Expo Chicago at the Carpenters Workshop Gallery booth.
The exhibition is a chance see a selection of works from projects such as CryptoFuturism, New Tribal Labyrinth, SlaveCity and Technocrat.
The fair runs from Wednesday 13 until Sunday 17 September
A solo exhibition by Joep van Lieshout, Furnification features the results of the artist’s recent sculptural experiments that that form part of the series, CryptoFururism. By revisiting the Italian Futurists, the series explores resonances with emerging fascist tendencies today, revealing the interplay between utopia and destruction. In Furnification, van Lieshout not only pushes the limits of materials, but also questions civilization itself.
More information can be found on the gallery website
On August 27, 2017 the first edition of ART Break will take place. This festival will transform the beach of Hoek van Holland into a celebration of art and coast. With ART Break Hoek van Holland finally has its own festival. From an art installation, classical music to a live painting performance and a treasure hunt through the Atlantik Wall, ART Break is for everyone!
The initiators of the festival, the entrepreneurs of the Rechtestraat, want to show how special Hoek van Holland is and how much culture this beach town has to offer. ‘’Hoek van Holland has six museums and is a place where a lot of Rotterdam-based artist take their summer break, but a lot of people aren’t aware of this’’, says Freek Ruigrok of DeSurfschool.nl, one of the entrepreneurs.
The eye catcher of ART Break will be Atelier Van Lieshout’s Bikinibar laying on the beach! The Bikinibar was created in 2006 as a place where people can withdraw from the busy beach life or bad weather. But it is only now that she can finally lay on the destination where she was intended for: the white sands of Hoek van Holland.
The festival takes place on Sunday the 27th of August 2017 and starts at 10 in the morning until 6 in the evening. The programme offers a wide range of activities for visitors of all ages such as surfing lessons for children, a hip-hop workshop, but also various concerts and a live painting performance by Solko Schalm, the unofficial port painter of Rotterdam. The festival can be visited free of charge. Hope to see you there!
Sunday August 27
10 am – 6 pm
Hoek van Holland – Rechtestraat
For the third and last time Atelier Van Lieshout will use the interplay of grouped works and individual pieces to transform the outside the Jahrhunderthalle Bochum into a powerful and highly topical installation. Alongside the new works, familiar pieces from the previous two years can also be found including the ‘Domestikator’, ‘BarRectum’, and the ‘Sanitary Silos’. The ‘Refektorium’ will host a wide-ranging programme of free events which establishes connections to van Lieshout’s art and to other Ruhrtriennale productions.
The installation and with it the Ruhrtriennale festival centre will be opened on 18th August at 4.30 pm in the presence of the artist.
Ruhrtriennale 2017, Jahrhunderthalle Bochum, Germany
18 August – 30 September 2017
July 14 will see the opening of Façade 2017, where you can see Huis (2017) by Atelier Van Lieshout. Huis presents the audience with a deconstructed, distorted cage; a disfigured prison that symbolizes the human longing for freedom.
In addition, Atelier van Lieshout captured the deconstructive process of Huis in collaboration with filmmaker Sonia Herman Dolz. The straight-edged cage was pushed apart with the use of heavy, self-made machines – i.e. a large drop hammer and hydraulic press with pressure. This film will be on display at CBK Zeeland, Middelburg.
Façade 2017 will run from July 14th until November 5th 2017
For more information about the locations and other artworks on display please see the CBK Zeeland website:
At this year’s Art Basel, Atelier Van Lieshout is proud to be represented by Galería OMR, Carpenters Workshop Gallery and Galerie Krinzinger – who are showing Model La Machine Celibataire (2012) at their booth.
Please check the website of ArtBasel for more information about the other galleries, artworks and activities. The 2017 fair takes place from June 15th until June 18th
Visitors and residents of Amsterdam are once again welcome to visit ARTZUID, this time for it’s 5th edition. Presented as a 5km art route you are guided past 60 monumental art works from Dutch and International abstract artists. The outdoor exhibition is being brought to you by Rudi Fuchs, art historian and former director of the Stedelijk Museum Amsterdam.
With a duration of 4 months and free entry, visitors can also partake in one of the daily guided tours or guest lectures in the surrounding hotels and museums.
For more information and locations please visit the ARTZUID website.
ARTZUID takes place between May 19 and September 17 2017
König Galerie celebrates Gallery Weekend Berlin with three new solo exhibitions. The sculpture garden at St. Agnes, which was first inaugurated a year ago, is also being largely redesigned for the occasion. For more information please check the gallery website. A full program, including a map with all participants of the Gallery Weekend Berlin can be found here.
Location: König Galerie St. Agnes, Alexandrinenstrasse 118 – 121, Berlin.
We’re happy to announce that the artwork Pulse has been slected for the manifestation Licht 2017 in Graz, Austria. The work will be on display on the Kapistran-Pieller-Platz, opposite to the Kunsthaus Graz, from the 21st of April until the 4th of June.
Pulse is an interactive installation which aims to engage the inhabitants of Graz and to be at the heart of the community, expressing the pulse, the life of the city. The artwork is as a beacon, sending out lightsignals. These lightsignals will ‘beat’ to the same ‘rhytym’ as the pulse of a human heart. Every time a child is born in the Graz – which is approximately 11 times a day – the pulse and the intensity of the light will become stronger.
With this artwork, Atelier Van Lieshout wants to create a poetic collective moment for the citizens of Graz. Every time Pulse’s light intensifies, the artwork will celebrate the beginning of a human life, a new member of the community added. The artwork will enhance the existing sense of community, both by creating a collective experience and by serving as a physical landmark.
For more information about the work and the manifestation Licht 2017, please check the website of the KIÖR – Kunst in Offentlichen Raum Steiermark