62 cm x 55 cm x 220 cm
The gesamtkunstwerk The End of Everything is the artist’s reflection on art, the current market climate and a comment on human consumption patterns. With this work, Joep van Lieshout would like to ‘blaze a trail through this imbalance, to destroy and renew, start again with what is good – to recycle’.
The installation consists of a group of raw, industrial artworks – Der Fliegende Holländer, The Press, The Hammer and The Shredder. These may be interpreted as machines for either construction or destruction, as a negative or positive force, as a break from tradition and a change for the future. The primary goal is to recycle, be it scrap, consumer goods, artworks, even Joep van Lieshout’s own creations.
Calgon (2017) was part of the following exhibition(s):
‘The Clock Which Will Solve Every Problem in the World’, Kunstraum Dornbirn (AT), 2020
‘Ferrotopia’, NDSM, Amsterdam (NL), 2018
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