Sculptures - Atelier Van Lieshout

Never Give Up

2021

Mixed media
327 x 132 x 198 cm

Never Give Up (2021) was part of the following exhibition(s):
Le Voyage, Le Portique, Le Havre (FR), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/gjhg-scaled.jpg

Steekwagen

Knee Step

Arianne

2019

Composite
90 x 95 x 215 cm

Since the beginning of modern society, rats have played a role in culture and science. The animals often invoke a sense of fear and horror. Atelier Van Lieshout however would like to stress the positive sides of the rat. They are considered highly intelligent, are adaptive if the environment changes, agile and sensitive, and very able to take care of themselves. Considering these positive notions, one could easily see the human side of the animal. The rat could be envisioned as the animal of the future; an animal that will always be here; an animal that we should look upon as a friend instead of a foe. This is a rat offering his tail , a friendly rat – generous and , makes himself vulnerable by offering his own tail.

Arianne (2019) was part of the following exhibition(s):
‘Dysfunctional‘, Carpenters Workshop Gallery, Venice (IT), 2019

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/rtret-scaled.jpg

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Caretaker Side Table

2022

Bronze
160 x 60 x 160 cm

Caretaker Side Table (2019) was part of the following exhibition(s):
Harmonious Contradiction, MASA x Sothebys, New York (US), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/ds-scaled.jpg

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Hospital Bed

2022

Mixed media
340 x 160 x 240 cm

Hospital Bed belongs to the series ‘Le Voyage’, a group of works that together speak about a journey to a better world, a place beyond the horizon where the grass is always greener. The fictional pioneers follow their hearts and the flimsiest of gameplans: anything goes and let’s see what happens. They have no clue where they are going, but they are going, roaming in search of paradise or the next utopia, ready for anything. Their expedition gear take all-purpose and all-inclusive to the next level. Why make a selection when you can bring absolutely everything, from questionable toolkits, an overly large cooking station to a shrine and prosthetics. Luxury is found in abundance, not in quality: the packs are made with suboptimal materials and assembled in a happily chaotic manner.

Hospital Bed (2022) was part of the following exhibition(s):
Light in the Darkness, Krinzinger Schottenfeld, Vienna (AT), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/rer-1-scaled.jpg

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The Beginning of Everything Lamp

Human

Mani-Festo Lamp

Twins

2019

Mixed media
28 x 78 x 184 cm

Since his beginnings, Joep van Lieshout has chased, changed and shaped the borders of art, design and architecture. In his latest series, RENEGADE, instead of performing the act of either artist or designer, Van Lieshout turns any object that he gets his hands on – even his own existing sculptures – into a designer lamp. Making every work as (in)valuable as the other. With RENEGADE, being both functional and accessible, Van Lieshout defines art on his own terms, and challenges the market while giving it what it wants.

Twins (2019) was part of the following exhibition(s):
Light in the Darkness, Krinzinger Schottenfeld, Vienna (AT), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/dff-scaled.jpg

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Covid-19

2022

Mixed media
300 x 110 x 162 cm

Covid-19 (2022) was part of the following exhibition(s):
Le Voyage, Le Portique, Le Havre (FR), 2022
Kelder, BRUTUS, Rotterdam (NL), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/gfdf-scaled.jpg

Easy Up Chair

2022

Mixed media
100 x 148 x 137 cm

Easy Up Chair (2022) was part of the following exhibition(s):
Le Voyage, Le Portique, Le Havre (FR), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/dda-scaled.jpg

Asher

Moonsuits

2010

Mixed media
55 x 105 x 190 cm

Moonsuits (2010) was part of the following exhibition(s):
Le Voyage, Le Portique, Le Havre (FR), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/edsf-scaled.jpg

Wooden Lung

2022

Mixed media
250 x 80 x 230 cm

Wooden Lung (2022) was part of the following exhibition(s):
Le Voyage, Le Portique, Le Havre (FR), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/sadas-scaled.jpg

The Beginning of Everything on Concrete Base

2022

Fiberglass
105 x 105 x 252 cm

The Beginning of Everything on Concrete Base (2022)
was part of the following exhibition(s):
Rooftop Installation, ROOF-A, Rotterdam (NL), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/dgfd-scaled.jpg

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Thor

Des Duivels Wandelstok

Dance

2021

Fiberglass
240 x 240 x 250 cm

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/dgf-scaled.jpg

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Victory

2021

Mixed media
120 x 243 x 254 cm

Victory (2021) was part of the following exhibition(s):
Fake Me Hard, BRUTUS, Rotterdam (NL), 2021

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/ghfdf-scaled.jpg

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Hamer

2022

Wood, steel
635 x 290 x 210 cm

Hamer (2022) was part of the following exhibition(s):
‘De Verleiding‘, Bosch Parade, ‘s Hertogenbosch (NL), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/dfdfsdgf-scaled.jpg

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Tronende Moeder

2021

Bronze
38 x 40 x 60 cm

Of all the saints, Mary became the most popular in Christianity during the Middle Ages. She was depicted countless times, often as the virgin with the young Christ child in her lap. She embodies hope and love, much needed qualities in the millennium between the end of the Western Roman Empire and the dawn of the Renaissance.

The Dark Ages are often viewed as a period of regression. The artistic knowledge that enabled the ancient Greeks and Romans to create perfectly sculpted bodies had been lost. Nevertheless, the primitive Medieval Marys with child have great emotional power in Joep van Lieshout’s eyes. His own version is an ode to that primal expressivity made from amateur-grade materials by purposely denying academic skills.

Tronende Moeder (2021) was part of the following exhibition(s):
‘Utopia‘, Château Saint-Maur, Saint Tropez (FR), 2022
EHBO, Galerie Ron Mandos, Amsterdam (NL), 2021 – 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/jrgfs-scaled.jpg

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The Steel Knights

2022

Steel
L: 115 x 50 x 168 cm
S: 88 x 33 x 104 cm

These forged-steel figures may have a tough exterior, but their faces tell a different story. Please meet these two goofy and naïve little knights, with their uninhibited grins, they are the friendly guards to Utopia. They might be trundled on, their spirit can harness or handle any intruder no matter what they face, they won’t lose their cheerful disposition.

The Steel Knights (2022) was part of the following exhibition(s):
‘Utopia‘, Château Saint-Maur, Saint Tropez (FR), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/hgdf-scaled.jpg

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Descent

2013

Bronze
95 x 70 x 115 cm

Descent (2013) was part of the following exhibition(s):
‘Utopia‘, Château Saint-Maur, Saint Tropez (FR), 2022
‘Art Bogota‘, Bogota (CO), 2014

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/gfdd-scaled.jpg

Muze

2022

Fiberglass
72 x 50 x 174 cm

Muze (2022) was part of the following exhibition(s):
‘Utopia‘, Château Saint-Maur, Saint Tropez (FR), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/fdhsfg-scaled.jpg

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Fertility

2021

Fiberglass
75 x 80 x 245 cm

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/dhs-scaled.jpg

The Whale

2022

COR-ten steel
1300 x 430 x 400 cm

The Whale rests on the shore, not unlike the catch brought in by the whalers of centuries past. The majestic animal will not be dissected for blubber to fuel lamps or grease machinery, however, as it’s made of steel. It appears more similar to a barge, than a marine mammal.

The Whale is Atelier Van Lieshout’s salute to nature’s power, human technological ingenuity and the ways these often clash. Moreover, it’s a life-size reference to Moby Dick, the world’s most famous whale. In Joep van Lieshout’s view, Moby Dick is a tale of revenge and the struggle of man, personified by Captain Ahab vs. nature. It’s rather telling that in the end, man – who considers himself above nature -is defeated by the forces he tries to control and master.

Van Lieshout’s The Whale is Ahab’s nemesis and Old Testaments Jonah’s organic prison rolled into one. The animal has outsmarted its pursuers, but has also partly become them by transforming into a welded steel hulk. Holes in its side allow people to look into its belly, where one sees a figure in the middle of the whale. This could be Jonah praying for his salvation or a present-day Ahab pondering his warped relationship with nature.

The Whale (2022) was part of the following exhibition(s):
‘Arts Le Havre‘, Le Havre (FR), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/ftt-scaled.jpg

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La Masseuse

2021

Bronze
60 x 50 x 39 cm

For a long time already rats have played a role in culture and science. Where the animals often invoke a sense of fear and horror, Atelier Van Lieshout would like to stress their positive sides. They are considered highly intelligent, are adaptive if the environment changes, agile and sensitive, and very able to take care of themselves. And of others. A friend that looks out for its peers and gives them a little squeeze when needed.

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/04/Schermafbeelding-2022-04-05-141046.jpg

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Body Armour

2021

Mixed media
50 x 48 x 197 cm

Body Armour (2021) was part of the following exhibition(s):
Kelder, BRUTUS, Rotterdam (NL), 2022
EHBO, Galerie Ron Mandos, Amsterdam (NL), 2021 – 2022
Fake Me Hard, BRUTUS, Rotterdam (NL), 2021

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/hggf-scaled.jpg

2021

Mixed media
160 x 130 x 215 cm

Fake Me Hard, BRUTUS, Rotterdam (NL), 2021

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/grrg-scaled.jpg

Sad Weelchair

Green Madonna

2021

Mixed media
62 x 80 x 183 cm

The Madonna and child Michelangelo carved from marble in 1505 is a melancholic sculpture. Maria’s sad look betrays her knowledge of her child’s future and the toddler Christ hangs at her knee as if grasping at the last scraps of childhood. Atelier Van Lieshout’s Green Madonna exudes the opposite atmosphere to Michelangelo’s masterpiece. The child has combatively raised itself up and the mother is determined to protect her progeny – so much so in fact, that she has merged with her weapon that calls to mind Soviet workers’ tools. Their camouflage makes them unseen and changes their nudity into a sort of body painted armour. Both stare like militant proletarians in old Soviet posters confidently in the same direction, into a future situated somewhere beyond the viewer.

Green Madonna (2021) was part of the following exhibition(s):
EHBO, Galerie Ron Mandos, Amsterdam (NL), 2021 – 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/04/12-scaled.jpg

Elyxer

2021

Fiberglass, steel
120 x 120 x 202 cm

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/gger-scaled.jpg

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The Developer

2021

Foam, fiberglass
85 x 100 x 222 cm

The Developer (2021) was part of the following exhibition(s):
Fake Me Hard, BRUTUS, Rotterdam (NL), 2021

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/dsfsd-scaled.jpg

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Tinder Trechter

Operating Table with Devil

2021

Mixed media
180 x 160 x 199 cm

Life and death go hand in hand in operating theatres. It’s where the medical belief in engineerability clashes with the unpredictability and irrationality of fate. It’s also the place where the sins of human kind are visited upon the individual, be it a disease or deformation resulting from environmental pollution or ailments caused by fastfood and a rushed life.

In Operating Table with Devil the natural order of things has been deeply disturbed. A baby performs its own ceasarian not unlike the monsterous extraterrestials in Alien while the mother gives birth to a grown man. Freudian sexuality, fear of the future and the utter failure of scientific rationality come together in this surrealist sculpture.

Operating Table with Devil (2021) was part of the following exhibition(s):
Kelder – Obsessions, BRUTUS, Rotterdam (NL), 2022
EHBO, Galerie Ron Mandos, Amsterdam (NL), 2021 – 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

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