Works - Atelier Van Lieshout

Bussing Boy

Adult Chair

Fantoom Hoofd met Jongeling

2021

Mixed media
50 x 57 x 139,5

Fantoom Hoofd met Jongeling (2021) was part of the following exhibition(s):
Kelder, BRUTUS, Rotterdam (NL), 2022
EHBO, Galerie Ron Mandos, Amsterdam (NL), 2021 -2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/dsfsd-1-scaled.jpg

Oma

Freedom

Never Give Up

2021

Mixed media
327 x 132 x 198 cm

Never Give Up (2021) was part of the following exhibition(s):
Le Voyage, Le Portique, Le Havre (FR), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/gjhg-scaled.jpg

Steekwagen

Knee Step

Arianne

2019

Composite
90 x 95 x 215 cm

Since the beginning of modern society, rats have played a role in culture and science. The animals often invoke a sense of fear and horror. Atelier Van Lieshout however would like to stress the positive sides of the rat. They are considered highly intelligent, are adaptive if the environment changes, agile and sensitive, and very able to take care of themselves. Considering these positive notions, one could easily see the human side of the animal. The rat could be envisioned as the animal of the future; an animal that will always be here; an animal that we should look upon as a friend instead of a foe. This is a rat offering his tail , a friendly rat – generous and , makes himself vulnerable by offering his own tail.

Arianne (2019) was part of the following exhibition(s):
‘Dysfunctional‘, Carpenters Workshop Gallery, Venice (IT), 2019

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/rtret-scaled.jpg

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Caretaker Side Table

2022

Bronze
160 x 60 x 160 cm

Caretaker Side Table (2019) was part of the following exhibition(s):
Harmonious Contradiction, MASA x Sothebys, New York (US), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/ds-scaled.jpg

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Hospital Bed

2022

Mixed media
340 x 160 x 240 cm

Hospital Bed belongs to the series ‘Le Voyage’, a group of works that together speak about a journey to a better world, a place beyond the horizon where the grass is always greener. The fictional pioneers follow their hearts and the flimsiest of gameplans: anything goes and let’s see what happens. They have no clue where they are going, but they are going, roaming in search of paradise or the next utopia, ready for anything. Their expedition gear take all-purpose and all-inclusive to the next level. Why make a selection when you can bring absolutely everything, from questionable toolkits, an overly large cooking station to a shrine and prosthetics. Luxury is found in abundance, not in quality: the packs are made with suboptimal materials and assembled in a happily chaotic manner.

Hospital Bed (2022) was part of the following exhibition(s):
Light in the Darkness, Krinzinger Schottenfeld, Vienna (AT), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/rer-1-scaled.jpg

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The Beginning of Everything Lamp

Human

Mani-Festo Lamp

Twins

2019

Mixed media
28 x 78 x 184 cm

Since his beginnings, Joep van Lieshout has chased, changed and shaped the borders of art, design and architecture. In his latest series, RENEGADE, instead of performing the act of either artist or designer, Van Lieshout turns any object that he gets his hands on – even his own existing sculptures – into a designer lamp. Making every work as (in)valuable as the other. With RENEGADE, being both functional and accessible, Van Lieshout defines art on his own terms, and challenges the market while giving it what it wants.

Twins (2019) was part of the following exhibition(s):
Light in the Darkness, Krinzinger Schottenfeld, Vienna (AT), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/dff-scaled.jpg

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Atomic Floor Lamp Small

2013

Rolled steel
80 x 80 x 76 cm

A sculpture of a diagram of the nutritional diet in JVL’s project Slave City. ”It’s about finding balance between volumes and masses between sculpture space.”

SlaveCity can be described as a sinister utopian project which is very rational, efficient and profitable (7,8 billion euro net profit per year. Values, ethics, esthetics, moral, food, energy, economics, organization, management and market are turned upside-down, mixed and reformulated and designed into a town of 200.000 inhabitants, an up-to-date concentration camp set up according to the latest technology and management insights. The inhabitants (which are called participants) work 7 hours a day in call-centre office jobs, such as customers service, ITC, telemarketing and computer programming. After that, they work 7 hours in the fields or in workshops, in order to keep SlaveCity running, before being allowed three hours of relaxation and seven hours of sleep. The efficiency of the participants is monitored accurately and appropriate measures are taken if it drops under a set level.

Atomic Floor Lamp Small (2013) was part of the following exhibition(s):
Light in the Darkness, Krinzinger Schottenfeld, Vienna (AT), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/ewrew-scaled.jpg

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Covid-19

2022

Mixed media
300 x 110 x 162 cm

Covid-19 (2022) was part of the following exhibition(s):
Le Voyage, Le Portique, Le Havre (FR), 2022
Kelder, BRUTUS, Rotterdam (NL), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/gfdf-scaled.jpg

Easy Up Chair

2022

Mixed media
100 x 148 x 137 cm

Easy Up Chair (2022) was part of the following exhibition(s):
Le Voyage, Le Portique, Le Havre (FR), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/dda-scaled.jpg

Asher

Moonsuits

2010

Mixed media
55 x 105 x 190 cm

Moonsuits (2010) was part of the following exhibition(s):
Le Voyage, Le Portique, Le Havre (FR), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/edsf-scaled.jpg

Wooden Lung

2022

Mixed media
250 x 80 x 230 cm

Wooden Lung (2022) was part of the following exhibition(s):
Le Voyage, Le Portique, Le Havre (FR), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/sadas-scaled.jpg

The Beginning of Everything on Concrete Base

2022

Fiberglass
105 x 105 x 252 cm

The Beginning of Everything on Concrete Base (2022)
was part of the following exhibition(s):
Rooftop Installation, ROOF-A, Rotterdam (NL), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/dgfd-scaled.jpg

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The Head

2022

Copper
550 x 550 x 1000 cm

To celebrate its sixtieth anniversary, the University of Twente unveiled a special work of art on Thursday, 19 May 2022: The Head. This 10-metre tall creation by artist Joep van Lieshout has been given a prominent place at the entrance to the university grounds.

Visitors can not only see the work of art from the outside, but can also climb into it. A narrow staircase takes you to a platform on top of the head, where you have a view over the campus on the one hand and the Kennispark on the other.

The Head marks the possibilities and dilemmas on the eve of the fourth industrial revolution, when the boundaries between the physical, digital and biological worlds are blurred. The sculpture is a monument to the waning of human dominance. A totem that marks the crossroads where we are now and a lookout to the future.

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/dsfdf-scaled.jpg

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Thor

Des Duivels Wandelstok

Dance

2021

Fiberglass
240 x 240 x 250 cm

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/dgf-scaled.jpg

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Victory

2021

Mixed media
120 x 243 x 254 cm

Victory (2021) was part of the following exhibition(s):
Fake Me Hard, BRUTUS, Rotterdam (NL), 2021

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/ghfdf-scaled.jpg

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Hamer

2022

Wood, steel
635 x 290 x 210 cm

Hamer (2022) was part of the following exhibition(s):
‘De Verleiding‘, Bosch Parade, ‘s Hertogenbosch (NL), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/dfdfsdgf-scaled.jpg

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Tronende Moeder

2021

Bronze
38 x 40 x 60 cm

Of all the saints, Mary became the most popular in Christianity during the Middle Ages. She was depicted countless times, often as the virgin with the young Christ child in her lap. She embodies hope and love, much needed qualities in the millennium between the end of the Western Roman Empire and the dawn of the Renaissance.

The Dark Ages are often viewed as a period of regression. The artistic knowledge that enabled the ancient Greeks and Romans to create perfectly sculpted bodies had been lost. Nevertheless, the primitive Medieval Marys with child have great emotional power in Joep van Lieshout’s eyes. His own version is an ode to that primal expressivity made from amateur-grade materials by purposely denying academic skills.

Tronende Moeder (2021) was part of the following exhibition(s):
‘Utopia‘, Château Saint-Maur, Saint Tropez (FR), 2022
EHBO, Galerie Ron Mandos, Amsterdam (NL), 2021 – 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/jrgfs-scaled.jpg

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Knights

2022

Steel
L: 115 x 50 x 168 cm
S: 88 x 33 x 104 cm

Knights (2022) was part of the following exhibition(s):
‘Utopia‘, Château Saint-Maur, Saint Tropez (FR), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/hgdf-scaled.jpg

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Descent

2013

Bronze
95 x 70 x 115 cm

Descent (2013) was part of the following exhibition(s):
‘Utopia‘, Château Saint-Maur, Saint Tropez (FR), 2022
‘Art Bogota‘, Bogota (CO), 2014

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/gfdd-scaled.jpg

Courting Birds Lamp

Muze

2022

Fiberglass
72 x 50 x 174 cm

Muze (2022) was part of the following exhibition(s):
‘Utopia‘, Château Saint-Maur, Saint Tropez (FR), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/fdhsfg-scaled.jpg

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Fertility

2021

Fiberglass
75 x 80 x 245 cm

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/dhs-scaled.jpg

The Whale

2022

COR-ten steel
1300 x 430 x 400 cm

The Whale rests on the shore, not unlike the catch brought in by the whalers of centuries past. The majestic animal will not be dissected for blubber to fuel lamps or grease machinery, however, as it’s made of steel. It appears more similar to a barge, than a marine mammal.

The Whale is Atelier Van Lieshout’s salute to nature’s power, human technological ingenuity and the ways these often clash. Moreover, it’s a life-size reference to Moby Dick, the world’s most famous whale. In Joep van Lieshout’s view, Moby Dick is a tale of revenge and the struggle of man, personified by Captain Ahab vs. nature. It’s rather telling that in the end, man – who considers himself above nature -is defeated by the forces he tries to control and master.

Van Lieshout’s The Whale is Ahab’s nemesis and Old Testaments Jonah’s organic prison rolled into one. The animal has outsmarted its pursuers, but has also partly become them by transforming into a welded steel hulk. Holes in its side allow people to look into its belly, where one sees a figure in the middle of the whale. This could be Jonah praying for his salvation or a present-day Ahab pondering his warped relationship with nature.

The Whale (2022) was part of the following exhibition(s):
‘Arts Le Havre‘, Le Havre (FR), 2022

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/08/ftt-scaled.jpg

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La Masseuse

2021

Bronze
60 x 50 x 39 cm

For a long time already rats have played a role in culture and science. Where the animals often invoke a sense of fear and horror, Atelier Van Lieshout would like to stress their positive sides. They are considered highly intelligent, are adaptive if the environment changes, agile and sensitive, and very able to take care of themselves. And of others. A friend that looks out for its peers and gives them a little squeeze when needed.

For enquiries: please contact Atelier Van Lieshout via info@ateliervanlieshout.com

https://www.ateliervanlieshout.com/wp-content/uploads/2022/04/Schermafbeelding-2022-04-05-141046.jpg

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